August 27, 2014

Frederick Norman "Pat" Ankenman (1912-1989)

    Born in Houston, Texas on December 23, 1912, Pat Ankenman was an American major league baseball player for the St. Louis Cardinals (1936) and Brooklyn Dodgers (1943-1944). He made his MLB debut as a second baseman on April 16, 1936 for the Cardinals but after a few games was sent back down to the minors. He served as manager in the minors for the New Orleans  Pelicans (1942) and in 1943 was called back up to the majors as a second baseman/shortstop for the Brooklyn Dodgers. He remained with the Dodgers for only a year before returning to the minors in a coaching position. He managed the Oklahoma City Indians from 1947-1948 after which he left the sport entirely. He died on January 13, 1989 and buried in Houston's Memorial Oaks Cemetery.

Section 8
Memorial Oaks Cemetery
Houston

COORDINATES
29° 46.853, -095° 36.937

August 20, 2014

Chad Lamont "Pimp C" Butler (1973-2007)

    Pimp C, rap artist, was born in Port Arthur, Texas, on December 29, 1973. He was the son of Weslyn and Charleston Butler. Pimp C is best-known as cofounder and one-half of the Houston rap duo UGK (Underground Kingz), whose soulful, blues-based version of “Dirty South” hip-hop helped put Texas rap music in the national spotlight. He, along with his UGK partner Bernard Freeman (aka Bun B), helped to define Southern rap. The son of a trumpet player who at one time performed with Solomon Burke, Butler grew up in a home filled with jazz, blues, and soul music. He cited his early influences as B. B. King, Ray Charles, Jimmy Smith, Jimmy McGriff, Marvin Gaye, and many other jazz and blues artists. His parents divorced when he was about six, and his mother married Norwood Monroe. Butler’s stepfather was a band teacher who taught him to read music and later influenced him to incorporate more musical instruments into his sound. Butler first became interested in rap when a friend loaned him an early Run DMC album in 1983. After hearing the record, he began exploring rap’s origins in an effort to learn more about the music that so captivated his imagination. Although his interest in rap music was growing, he also pursued more traditional musical interests. In high school, he studied classical music and received a Division I rating on a tenor solo at a University Interscholastic League choir competition. 

    While still in high school, Pimp C worked with fellow musicians Mitchell Queen, Bernard “Bun B” Freeman, and Jalon Jackson before eventually settling into a rap collaboration with Bun B to form the group UGK. They released a cassette, The Southern Way, on the small Houston label Bigtyme Recordz in 1988. They landed a deal with Jive Records in 1992. During that same year, the duo released its first major label debut, Too Hard to Swallow. It featured the single Tell Me Something Good, a laid-back track that contained a sample of Rufus and Chaka Khan’s tune of the same name. Another song from the album, Pocket Full of Stones, was featured on the soundtrack to the movie Menace II Society (1993), helping earn the group some national exposure. The song Pocket Full of Stones is emblematic of the rise in “gangsta rap” that came to dominate the hip-hop landscape in the early 1990s. In 1994 UGK released Super Tight; Pimp C produced all the tracks. He also produced most of the songs on UGK’s next release in 1996, Ridin’ Dirty, which reached Number 2 on the Billboard Top R&B/Hip-Hop Albums chart, proving that the group was much more than a regional act and could sell records on a national scale. Following their success with Ridin’ Dirty, UGK made a number of guest appearances, one on a hit single by Jay-Z entitled Big Pimpin’ in 1999. This song merged Jay-Z’s Brooklyn-based braggadocio with UGK’s southern slang. The second guest appearance was on a record with the Tennessee-based rap group, Three 6 Mafia, called Sippin’ on Some Sizzurp, released in 2000. These recordings boosted the group’s national appeal and proved once again that their fan base extended far beyond the confines of Texas.  

    In 2001 UGK released its fourth album, Dirty Money. It featured several songs that included sexual content and blatant misogyny, such as Like a Pimp, Pimpin’ Ain’t No Illusion, and Money, Hoes, and Power. The album peaked at Number 2 on the Billboard Top R&B/Hip-Hop Albums. The year 2002 brought the release of Side Hustles, the duo’s fifth album. It did not sell as well as previous releases, and UGK suffered further setbacks when Pimp C was arrested and jailed on an aggravated assault charge. After violating probation because he ignored a community service sentence, he spent the next three years in prison. During his imprisonment hip-hop fans and rappers, spearheaded by Bun B, launched a grassroots "Free Pimp C" campaign. While Pimp C was incarcerated, his label Rap-A-Lot Records released his solo record Sweet James Jones Stories in early 2005. The album included several songs that focused on the “playa/baller” theme - that is the notion of defining one’s self in terms of the money one makes and the women one dates. Through such songs as I’m a Hustler, I’s a Player, and Get My Money, Pimp C focused on recurring themes in rap music - hustling, pimping, and money. He was released from prison on December 30, 2005.

    n the summer of 2006 another Pimp C solo album, Pimpalation, featured the song Free celebrating his release from prison. In 2007 UGK released the album, Underground Kingz, which debuted at Number 1 on Billboard’s Top 200 chart. It featured guest appearances from such notable rap artists as T. I., Talib Kweli, Rick Ross, Big Daddy Kane, Too Short, Charlie Wilson of the Gap Band, and Outkast. The collaboration with Atlanta-based rappers Outkast, Int’l Players Anthem (I Choose You), proved to be the most popular song on the album. Using a sample from a tune produced by Willie Hutch from the 1970s Blaxploitation flick The Mack (1973), the song features two of the South’s most popular groups rapping side-by-side on a single track for the first time. Despite UGK’s growing prominence, the band’s success was short-lived. On December 4, 2007, Pimp C was found dead at the age of thirty-three in the Mondrian Hotel located in West Hollywood, California. His death was ruled accidental and was attributed to a lethal combination of codeine/promethazine and sleep apnea. He was married and had three children. Int’l Players Anthem was nominated for a Grammy after Pimp C’s death. UGK’s final album UGK 4 Life was released in 2009. Source

Mausoleum
Greenlawn Memorial Park
Groves

COORDINATES
29° 56.155, -093° 55.453

August 13, 2014

William Lockhart Clayton (1880-1966)

    William L. Clayton, cotton merchant, was born on a farm near Tupelo, Mississippi, on February 7, 1880, to James Munroe and Martha Fletcher (Burdine) Clayton. He attended seven grades of public school in Tupelo and Jackson, Tennessee, where the family moved when he was six years old. Proficient in shorthand, he went to St. Louis in 1895 as personal secretary to an official of the American Cotton Company. From 1896 to 1904 he worked in the New York office of the American Cotton Company, where he rose to the position of assistant general manager. In 1904 Clayton formed a partnership to buy and sell cotton with two members of a Jackson, Tennessee, family prominent in banking - Frank E. and Monroe D. Anderson, the former Clayton's brother-in-law. A younger brother, Benjamin Clayton, joined the firm in 1905. Anderson, Clayton and Company first opened its offices in Oklahoma City and experienced immediate success. In 1916 the firm moved its headquarters to Houston, where Clayton, as the partner most expert in foreign sales, led other cotton exporters in providing warehouse facilities, insurance, credit, and other services that European firms had formerly rendered. In 1920 the company reorganized as an unincorporated Texas joint-stock association. Later in the 1920s Clayton led the fight that forced the New York Stock Exchange to accept southern delivery on futures contracts, thus removing an impediment to the natural operation of the futures market.

    When high tariffs and federal farm-price supports threatened to drive American cotton out of the world market in the late 1920s and early 1930s, Clayton's firm responded by establishing cotton-buying offices in Latin America and Africa in order to supply its foreign sales agencies with cotton at competitive rates. At the same time that Clayton was expanding his business abroad, he fought the farm policies of the New Deal. He opposed government supports of the agricultural market. Instead, he believed that if subsidies were necessary they should go straight to the farmer. Clayton joined the American Liberty League in 1934 but left the organization the following year, when it failed to accept his recommendations for public relations in Texas. In 1936 he renounced his earlier opposition to Roosevelt because of Secretary of State Cordell Hull's work for a reciprocal trade agreement, a cause Clayton had advocated for many years. Meanwhile, Anderson, Clayton and Company increased investments in cotton gins, vegetable-oil mills, feed factories, experimental seed farms, and other enterprises related to processing cotton and similar commodities. From the beginning such investments had made the firm unique among cotton-merchandising organizations. Frank Anderson died in 1924, and Benjamin Clayton withdrew from the firm in 1929. The two remaining partners formed Anderson, Clayton and Company (Delaware) in 1930 and issued preferred stock. In 1940 Clayton retired from active management in the firm, but through several trusts he maintained control of the company until his death.

    During World War I he served on the Committee of Cotton Distribution of the War Industries Board. In 1940 he was called to Washington to serve as deputy to the coordinator of inter-American affairs. For the next four years he held a variety of high-level positions with the Export-Import Bank, the Department of Commerce, and wartime agencies. From December 1944 until October 1947 he was assistant and then undersecretary of state for economic affairs, in which capacity he became a principal architect of the European Recovery Program, known commonly as the Marshall Plan. After his return to Houston in late 1947, he remained an occasional participant and frequent contributor to international conferences on world trade, the European Common Market, and related matters. He contributed personally and through the Clayton Fund to a variety of religious, charitable, and educational institutions, most notably to Johns Hopkins University (of which he was a trustee from 1949 to 1966), Tufts University, the University of Texas, Susan V. Clayton Homes (a low-cost housing project in Houston), and the Methodist Church. Clayton married Susan Vaughan of Clinton, Kentucky, on August 14, 1902. They had a son who died in infancy and four daughters who survived them. Clayton died after a brief illness on February 8, 1966, and was buried in Houston. Source

Section I
Glenwood Cemetery
Houston

COORDINATES
29° 45.910, -095° 22.983

August 6, 2014

Henry Falcott (1835-1910)

    Henry Falcott, Medal of Honor recipient, was born in Champagne, France in 1835. He emigrated to the United States and enlisted in the U.S. Army in San Francisco, California. He joined Company L of the 8th U.S. Cavalry and eventually reached the rank of first sergeant. He was part of a small cavalry force numbering 50 to 60 soldiers, primarily from Company B and Company L, who were charged with protecting settlers from Apache raiding parties in the Arizona Territory during the summer and fall of 1868. Falcott and his comrades faced the Apache in fierce fighting, often being ambushed or sniped at from hidden ravines, in a campaign lasting 90 days. The following summer, Falcott and 33 other members of his regiment received the Medal of Honor for their actions on July 24, 1869. It was one of the largest MOH presentations at the time. Falcott died in San Antonio, Texas on December 2, 1910, at the age of 75 and interred at the San Antonio National Cemetery. Source

CITATION
Bravery in scouts and actions against Indians.

Section F
San Antonio National Cemetery
San Antonio

COORDINATES
29° 25.279, -098° 28.033